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Summaries
- A scheming widow and her manipulative ex-lover make a bet regarding the corruption of a recently married woman.
- In 18th century France, the Marquise de Merteuil and the Vicomte de Valmont play a dangerous game of seduction. Valmont is someone who measures success by the number of his conquests and Merteuil challenges him to seduce the soon to be married Cecile de Volanges and provide proof in writing of his success. His reward for doing so will be to spend the night with Merteuil. He has little difficulty seducing Cecile but what he really wants is to seduce Madame de Tourvel. When Merteuil learns that he has actually fallen in love with her, she refuses to let him claim his reward for seducing Cecile. Death soon follows.
- Eighteenth century France. Former lovers, the Marquise de Merteuil and the Vicomte de Valmont, who are among the Paris aristocracy, take pleasure in their games of sexual manipulation. While Valmont, who is renowned as a rakish playboy, does it to prove to himself that he can have any woman he wants with love never in the equation, Merteuil does it in an effort to level the playing field between the sexes in their class, while truly enjoying the cruelty of it all. No person is immune as collateral damage in their end goals. In order to get back at Bastide, the first and only man to have ever jilted her, Merteuil wants Valmont to deflower Bastide's intended, the innocent Cécile de Volanges, Merteuil's niece who spent her teenaged years in a convent and whose mother has just released her in order for her to enter into womanhood with Bastide, about which she is unaware. Bastide would only find out about Cécile not being a virgin on their wedding night. Merteuil offers herself sexually to Valmont as a reward. Valmont, however, declines as it would be too unchallenging a task, and as he has his eyes set on another conquest, namely Madame de Tourvel, a highly virtuous married woman who is staying temporarily with Valmont's aunt, Madame de Rosemonde, at her country château. Valmont's goal is not only to sleep with Madame de Tourvel, but to get her truly to want him. As such, Merteuil decides to enlist the unwitting help of the Chevalier Danceny, a poor music teacher, in her game, she planning to maneuver Danceny and Cécile into a relationship, which in reality could never happen due to their differing social classes. Danceny taking Cécile's virginity would be a bonus as the shame to Bastide would be greater than if Valmont did so. As Valmont's own set quest is a greater challenge, Merteuil does still offer herself to him if he succeeds in seducing Madame de Tourvel. As Merteuil and Valmont spend time with this collective group in their games of sexual manipulation, they may find that their modus operandi may be forever changed, but each for different reasons.Jun 26, 2018 The download corel draw x5 portable above is the advantage that we can use to install it on your computer without having to use the corel draw x5 English language pack download application unless you and everywhere you need it. Do not worry without having trouble. Corel DRAW X5 Portable Free Download standalone setup latest version for PC. It is an offline setup file of Corel DRAW X5 Portable Free Download. Corel DRAW X5 Portable Overview. If you are a professional graphic designer, you’ll probably hear the name of the illegal potential CorelDRAW software. Download corel draw x5 portable. Aug 06, 2019 Corel Draw X5 Portable Free Download for PC. Download this software for designing totally free. Start working on logos, vectors and much more. CorelDraw Graphics Suite X5 Portable. Are you are graphic designer? If you are then Corel Draw X5 Portable is the right software for you.
- Set in France around 1760, the Marquise de Merteuil needs a favour from her ex-lover, Vicomte de Valmont. One of the Marquise de Merteuil's ex-lovers, Gercourt, is betrothed to a young, virtuous, woman called Cecile de Volanges. The Marquise would like Valmont to seduce Cecile before her wedding day, thus humiliating Gercourt. Meanwhile, Valmont has a conquest of his own in mind: Madame de Tourvel, a beautiful, married, and God fearing woman. The Marquise doesn't think that Valmont can seduce Mme de Tourvel. She tells him that if he can provide written proof of a sexual encounter with Mme de Tourvel, she will offer him a reward: one last night with her. Valmont, however, will find himself falling in love with Mme de Tourvel, and facing the deadly jealousy of the Marquise de Merteuil. All along, Cecile de Volanges is used as a pawn in this game of sexual conquest and scorned love.
- Set in Rococco France, a scheming widow and her ex-lover make a bet regarding the corruption of a recently married woman. The ex-lover, Valmont, bets that he can seduce her, even though she is an honorable woman. If he wins, he can have his lover to do as he will.
Spoilers
The synopsis below may give away important plot points.
Mar 25, 2008 dangerous liaisons - final scene between merteuil & valmont lyxzensioux. Dangerous Liaisons 01 Main Title / Dressing from Motion Picture Dangerous. THE DARK CRYSTAL (1982) Ending Explained! In 18th century France, the Marquise de Merteuil and the Vicomte de Valmont play a dangerous game of seduction. Valmont is someone who measures success by the number of his conquests and Merteuil challenges him to seduce the soon to be married Cecile de Volanges and provide proof in writing of his success. Dangerous Liaisons is a 1988 American period romantic drama film directed by Stephen Frears, written by Christopher Hampton and based on his play Les liaisons dangereuses which was itself the adaptation of the 18th-century French novel of the same name by Pierre Choderlos de Laclos.
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Synopsis
- In pre-Revolution Paris, the Marquise de Merteuil (Glenn Close) plots revenge against her ex-lover, the Comte de Gercourt, who has recently ended their relationship. An amoral, sexually ravenous schemer, Merteuil amuses herself by manipulating men out of boredom, and her resentment of the subservient status of women in 18th-century French aristocratic society. To soothe her wounded pride and embarrass Gercourt, she seeks to arrange the seduction and disgrace of his young 18-year-old virgin fiancée, Cécile de Volanges (Uma Thurman), who has only recently been presented to society after spending her formative years in the shelter of a convent.
Merteuil calls on her old friend, the rakish and similarly unprincipled Vicomte de Valmont (John Malkovich) to do the deed, offering him her own sexual favors as the reward for a successful conquest. Valmont declines, claiming that it is too easy, plus he has a seduction of his own in progress: Madame de Tourvel (Michelle Pfeiffer), the virtuous wife of a member of Parliament. Merteuil is amused and incredulous at Valmont's hubris. She asks him how can he ever hope to bed a chaste, devoutly religious woman like Madame Tourvel. Never one to refuse a challenge, Valmont modifies the proposal: If he succeeds in sleeping with Tourvel, Merteuil must sleep with him as well. Merteuil accepts, on the condition that he furnish written proof of the liaison.
At the estate of Valmont's aunt in the countryside, Madame de Rosemonde (Mildred Natwick), where Tourvel is living as a guest while her husband is away on state business, Valmont employs every trick in his considerable repertoire in a vain attempt to attract Tourvel's attention. His first attempt to proposition to Tourvel fails when she refuses his advances. She reveals that she knows all about him and his reputation; that he seduces and corrupts young women for his own twisted enjoyment. Tourvel claims that a friend has been writing her letters which explains all about Valmont's seduction tactics.
Searching for leverage, Valmont instructs his page Azolan (Peter Capaldi) to seduce Tourvel's maid Julie (Valerie Gogan) so that Valmont can intimidate her to gain access to Tourvel's private correspondence. Later, Julie gives one of the letters and it is from Madame de Volanges (Swoosie Kurtz), Cécile's mother and Merteuil's cousin, warning Tourvel that Valmont is a cad, and a generally nefarious and untrustworthy individual. On reading this, Valmont returns to Paris and resolves to do Merteuil's dirty work after all, seducing Cécile as revenge for her mother's only-too-accurate denunciation of him.
Meanwhile, Cécile meets the charming Chevalier Raphael Danceny (Keanu Reeves) at a local opera house where she frequents. Danceny becomes Cécile's music teacher and slowly, with a little coaxing from Merteuil (who knows that Danceny, a poor commoner, can never qualify as a bona fide suitor), they fall in love.
Valmont's connived seduction of Cécile is rapid and unsubtle. After gaining access to her bedchamber on a false pretense, he forces himself upon her as she pleads with him to leave. The following night he attempts to enter her room again, but she has barred her door. On the pretext of illness she remains locked in her chambers, refusing all visitors. A concerned Madame de Volanges calls upon Merteuil to speak to her. Cécile, naively assuming that Merteuil has her best interests at heart, confides in her. Merteuil advises Cécile to welcome Valmont's advances; young women should take advantage of all the lovers they can acquire, she says, in a society so repressive and contemptuous of women. The result is a perverse 'student-teacher' relationship between Cécile and Valmont; by day she is courted by Danceny, and each night she receives a sexual 'lesson' from Valmont. In the meantime, Merteuil seduces Danceny and begins an affair with him.
Ever mindful of Merteuil's challenge, Valmont's principal target remains Madame de Tourvel, and during his time as Cécile's 'teacher' he somehow manages to win Tourvel's heart... but at a cost: Valmont, the lifelong bachelor playboy, falls in love, after spending his first night with Tourvel. In a fit of jealousy, Merteuil mocks Valmont for having succumbed to Tourvel's charms. She also refuses to honor her end of their agreement, since Valmont has no written proof that the relationship has been consummated. Valmont, faced with Merteuil's threat to trash his reputation by revealing himself as a carefree gigolo, abruptly dismisses Tourvel with a terse excuse: 'It is beyond my control'. Cécile, meanwhile, after a particularly rough night in Valmont's bed, miscarries his child.
Tourvel, overwhelmed with grief and shame, retires to a convent where her health deteriorates inexorably, and she eventually dies from cholora. The Valmont-Merteuil toxicity/war escalates. Valmont learns of Merteuil's seduction of Danceny and warns him of her perfidy. Merteuil retaliates by informing Danceny that Valmont has been sleeping with Cécile. Danceny challenges Valmont to a duel, and mortally wounds him. On his deathbed, Valmont asks Danceny to communicate to Tourvel.. by now also at death's door.. his genuine love for her. He then gives Danceny his collection of intimate letters from Merteuil
A few days later, all of Paris learns the entire, grisly range of her schemes and depredations. Booed and humiliated at the opéra by her former friends and sycophants, Merteuil flees the city in disgrace for places unknown. Cécile, guilt-ridden, returns to the convent whence she came to become a nun.
Dangerous Liaisons | |
---|---|
Directed by | Stephen Frears |
Produced by | |
Written by | Christopher Hampton |
Based on | Les liaisons dangereuses by Christopher Hampton |
Starring | |
Music by | George Fenton |
Cinematography | Philippe Rousselot |
Edited by | Mick Audsley |
Distributed by | Warner Bros. |
| |
119 minutes | |
Country | United States |
Language | English |
Budget | $14 million |
Box office | $34.7 million |
Dangerous Liaisons is a 1988 American period romantic drama film directed by Stephen Frears, written by Christopher Hampton and based on his play Les liaisons dangereuses which was itself the adaptation of the 18th-century French novel of the same name by Pierre Choderlos de Laclos.[1] It stars Glenn Close, John Malkovich, Michelle Pfeiffer, Swoosie Kurtz, Mildred Natwick, Peter Capaldi, Keanu Reeves and Uma Thurman.
Download learn english free. Dangerous Liaisons was released theatrically on December 16, 1988 by Warner Bros. It received generally positive reviews from critics with major praise drawn towards Close and Pfeiffer's performances, screenplay, production values and costumes. Although it was a moderate commercial success grossing $34.7 million against its $14 million budget, it was cited as a box office disappointment.The film received seven nominations at the 61st Academy Awards, including for Best Picture and won three: Best Adapted Screenplay, Best Costume Design, and Best Production Design.[2][3]
Les Liaisons dangereuses. As an epistolary novel, the book is composed entirely of letters written by the various characters to each other. In particular, the letters between Valmont and the Marquise drive the plot, with those of their victims and other characters serving as contrasting figures to give the story its depth. Director Hur Jin-Ho sets his adaptation of the famed French novel in 1930s Shanghai, with Zhang Ziyi and Jang Dong-gun in starring roles. An interesting twist on a classic plot, Dangerous Liaisons is essentially a deluxe soap opera. But with its beautiful cast and gorgeous production design, it is still a highly enjoyable way to waste two hours.
- 5Reception
Plot[edit]
In pre-Revolution Paris, the Marquise de Merteuil plots revenge against her ex-lover, the Comte de Bastide, who has recently ended their relationship. To soothe her wounded pride and embarrass Bastide, she seeks to arrange the seduction and disgrace of his young virgin fiancée, Cécile de Volanges, who has only recently been presented to society after spending her formative years in the shelter of a convent.
Merteuil calls on the similarly unprincipled Vicomte de Valmont to do the deed. Valmont declines, as he is plotting a seduction of his own: Madame de Tourvel, the wife of a member of Parliament away in Corsica, who is currently a houseguest of Valmont's aunt, Madame de Rosemonde. Amused and incredulous at Valmont's hubris in pursuing the chaste, devoutly religious Tourvel, Merteuil ups the ante: if Valmont somehow succeeds in seducing Tourvel, and can furnish written proof, Merteuil will sleep with him as well. Never one to refuse a challenge, Valmont accepts.
Tourvel rebuffs all of Valmont's advances. Searching for leverage, he instructs his page Azolan to seduce Tourvel's maid Julie to gain access to Tourvel's private correspondence. One of the letters he intercepts is from Cécile's mother and Merteuil's cousin, Madame de Volanges, warning Tourvel that Valmont is a nefarious and untrustworthy individual. Valmont resolves to seduce Cécile after all, as revenge for her mother's accurate denunciation of him.
Meanwhile, in Paris, Cécile meets the charming Chevalier Raphael Danceny, who becomes her music teacher. Slowly, they fall in love, with coaxing from Merteuil (who knows that Danceny, a poor commoner, can never qualify as a bona fide suitor).
Valmont gains access to Cécile's bedchamber on a false pretense, and rapes her as she pleads with him to leave. On the pretext of illness, Cécile remains locked in her chambers, refusing all visitors. A concerned Madame de Volanges calls upon Merteuil to speak to Cécile, who confides in her, naively assuming that Merteuil has her best interests at heart. Merteuil advises Cécile to welcome Valmont's advances; she says young women should take advantage of all the lovers they can acquire, in a society so repressive and contemptuous of women. The result is a 'student-teacher' relationship; by day, Cécile is courted by Danceny, and each night she receives a sexual 'lesson' from Valmont. In the meantime, Merteuil begins an affair with Danceny.
Meanwhile, Valmont somehow manages to win Tourvel's heart, but at a cost: the lifelong bachelor playboy falls in love. In a fit of jealousy, Merteuil mocks Valmont and threatens to trash his reputation as a carefree gigolo. She also refuses to honor her end of their agreement, since Valmont has no written proof that the relationship has been consummated. Valmont abruptly dismisses Tourvel with a terse excuse: 'It is beyond my control.' Meanwhile, after a violent night in Valmont's bed, Cécile miscarries his child.
Overwhelmed with grief and shame, Tourvel retreats to a monastery where her health deteriorates rapidly. Valmont warns Danceny of Merteuil's ulterior motives in seducing him; she retaliates by informing Danceny that Valmont has been sleeping with Cécile. Danceny challenges Valmont to a duel, and mortally wounds him. With his dying breath, Valmont asks Danceny to communicate to Tourvel—by now near death—his genuine love for her. He gives Danceny his collection of intimate letters from Merteuil, and Danceny publishes them. Danceny visits Madame Tourvel and delivers the message from Valmont. While Danceny is seen whispering in her ear she says 'Enough..Close the curtain' and passes away. Meanwhile, all of Paris learns the entire range of her schemes and depredations. Humiliated at the opéra by her former friends and sycophants, Merteuil flees the opera in disgrace. The final scene shows Merteuil at her vanity removing her makeup, as if her true self has finally been exposed.
Cast[edit]
- Glenn Close as Marquise Isabelle de Merteuil
- John Malkovich as Vicomte de Valmont
- Michelle Pfeiffer as Madame Marie de Tourvel
- Uma Thurman as Cécile de Volanges
- Swoosie Kurtz as Madame de Volanges, mother of Cécile and cousin to Merteuil
- Keanu Reeves as Le Chevalier Raphael Danceny, courtier to Cécile.
- Mildred Natwick as Madame de Rosemonde, Valmont's aunt
- Peter Capaldi as Azolan, Valmont's valet
- Valerie Gogan as Julie, Madame de Tourvel's chambermaid
- Laura Benson as Émilie, a courtesan
- Joe Sheridan as Georges, Madame de Tourvel's footman
- Joanna Pavlis as Adèle, Madame de Rosemonde's maid
- Harry Jones as Monsieur Armand
- François Montagut as Belleroche, Merteuil's lover
Production[edit]
Dangerous Liaisons was the first English-language film adaptation of Laclos's novel. The screenplay was based on Christopher Hampton's Olivier Award-winning and Tony Award-nominated theatrical adaptation for the Royal Shakespeare Company,[4] directed by Howard Davies and featuring Lindsay Duncan, Alan Rickman and Juliet Stevenson.
The film was shot entirely on location in the Île-de-France region of northern France, and featured historical buildings such the Château de Vincennes in Val-de-Marne, the Château de Champs-sur-Marne, the Château de Guermantes in Seine-et-Marne, the Château du Saussay in Essonne, and the Théâtre Montansier in Versailles.[5]
Liaisons was the final film appearance of Academy Award and Tony Award-nominated actress Mildred Natwick.[6][unreliable source?]Drew Barrymore auditioned for the role of Cécile, and Sarah Jessica Parker turned it down before it was offered to Thurman.[6]Annette Bening went through several auditions for the role of the courtesan Émilie, but in the end the role went to Laura Benson.[7] Bening was auditioning for Milos Forman's adaptation of Les Liaisons Dangereuses at the same time, Valmont, in which she would play the role of the Marquise de Merteuil.
During production Malkovich had an affair with Pfeiffer. His six-year marriage to actress Glenne Headly ended shortly thereafter.[8][9][10]
Soundtrack[edit]
The score of Dangerous Liaisons was written by the British film music composer George Fenton. The soundtrack also includes works by a number of baroque and classical composers, reflecting the story's 18th-Century-French setting; pieces by Antonio Vivaldi, Johann Sebastian Bach, George Frideric Handel and Christoph Willibald Gluck feature prominently, although no French composers are included.[11]
Track | Song Title | Composer |
---|---|---|
1 | Dangerous Liaisons Main Title/'Dressing' | George Fenton |
2 | 'Madame De Tourvel' | George Fenton |
3 | 'The Challenge' | George Fenton |
4 | 'O Malheureuse Iphigénie!', from Iphigénie en Tauride | Christoph Willibald Gluck |
5 | 'Going Hunting' – 'Allegro' from Organ Concerto No. 13, 'The Cuckoo and the Nightingale' | George Frideric Handel, arr.George Fenton |
6 | 'Valmont's First Move'/'The Staircase' | George Fenton |
7 | 'Beneath The Surface' | George Fenton |
8 | 'The Set Up' | George Fenton |
9 | 'The Key' | George Fenton |
10 | 'Her Eyes Are Closing' | George Fenton |
11 | 'Ombra mai fu', from Serse | George Frideric Handel |
12 | 'Tourvel's Flight' | George Fenton |
13 | 'Success' | George Fenton |
14 | 'Emilie' | George Fenton |
15 | 'Beyond My Control' | George Fenton |
16 | 'A Final Request' | George Fenton |
17 | 'Ombra Mai Fu' reprise/'The Mirror' | George Frideric Handel/George Fenton |
18 | Dangerous Liaisons End Credits | George Fenton |
19 | 'Allegro' from Concerto in a Minor For Four Harpsichords, BWV 1065 | Johann Sebastian Bach |
Reception[edit]
Critical response[edit]
Dangerous Liaisons holds a score of 93% on Rotten Tomatoes based on 27 reviews.[12] On Metacritic it has a score of 74 based on 17 reviews,indicating 'generally favorable reviews'.[13] Audiences surveyed by CinemaScore gave the film a grade B+ on scale of A to F.[14]
Pauline Kael in The New Yorker described it as 'heaven – alive in a way that movies rarely are.'[13] Hal Hinson in The Washington Post wrote that the film's 'wit and immediacy is extraordinarily rare in a period film. Instead of making the action seem far off, the filmmakers put the audience in the room with their characters.'[15]Roger Ebert called it 'an absorbing and seductive movie, but not compelling.'[16]Variety considered it an 'incisive study of sex as an arena for manipulative power games.'[17]Vincent Canby in The New York Times hailed it as a 'kind of lethal drawing-room comedy.'[18]
The Time Out reviewer wrote of Christopher Hampton's screenplay that 'one of the film's enormous strengths is scriptwriter Christopher Hampton's decision to go back to the novel, and save only the best from his play'.[19]James Acheson and Stuart Craig were also praised for their work, with Sheila Benson of the Los Angeles Times stating that 'the film's details of costuming (by The Last Emperor's James Acheson) and production design (by Stuart Craig of Gandhi and The Mission) are ravishing'.[20] All three would go on to win Academy Awards for their work on this film.
Glenn Close received considerable praise for her performance; she was lauded by The New York Times for her 'richness and comic delicacy,'[18] while Mick LaSalle of the San Francisco Chronicle wrote that, once she 'finally lets loose and gives way to complete animal despair, Close is horrifying.'[13] Roger Ebert thought the two lead roles were 'played to perfection by Close and Malkovich.. their arch dialogues together turn into exhausting conversational games, tennis matches of the soul.'[16]
Chinese Dangerous Liaisons
Michelle Pfeiffer was also widely acclaimed for her portrayal, despite playing, in the opinion of The Washington Post, 'the least obvious and the most difficult' role. 'Nothing is harder to play than virtue, and Pfeiffer is smart enough not to try. Instead, she embodies it.'[15] The New York Times called her performance a 'happy surprise.'[18] Roger Ebert, considering the trajectory of her career, wrote that 'in a year that has seen her in varied assignments such as Married to the Mob and Tequila Sunrise, the movie is more evidence of her versatility. She is good when she is innocent and superb when she is guilty.'[16] Pfeiffer would later win a British Academy Film Award for her performance.
The casting of John Malkovich proved to be a controversial decision that divided critics. The New York Times, while admitting there was the 'shock of seeing him in powdered wigs', concluded that he was 'unexpectedly fine. The intelligence and strength of the actor shape the audience's response to him'.[18]The Washington Post was similarly impressed with Malkovich's performance: 'There's a sublime perversity in Frears' casting, especially that of Malkovich.. [he] brings a fascinating dimension to his character that would be missing with a more conventionally handsome leading man.'[15]Variety was less impressed, stating that while the 'sly actor conveys the character's snaky, premeditated Don Juanism.. he lacks the devilish charm and seductiveness one senses Valmont would need to carry off all his conquests'.[17]
Accolades[edit]
At the 61st Academy Awards, Dangerous Liaisons won three Oscars out of seven nominations, for Best Adapted Screenplay (Christopher Hampton), Best Costume Design (James Acheson), and Best Art Direction (Stuart Craig and Gérard James). Its four unsuccessful nominations were for Best Actress (Glenn Close), Best Supporting Actress (Michelle Pfeiffer), Best Original Score (George Fenton), and the Academy Award for Best Picture.[3] Director Stephen Frears and lead actor John Malkovich were not nominated.
Youtube Dangerous Liaisons Ending
At the 43rd British Academy Film Awards, Michelle Pfeiffer won for Best Actress in a Supporting Role, and Christopher Hampton won for Best Screenplay. The film received a further eight nominations, in the categories of Best Direction (Stephen Frears), Best Actress in a Leading Role (Close), Best Cinematography (Philippe Rousselot), Best Costume Design (Acheson), Best Original Film Score (Fenton), Best Editing (Mick Audsley), Best Make Up Artist (Jean-Luc Russier) and Best Production Design (Craig).[3]
Dangerous Liaisons Chinese Movie
In addition to his Oscar and BAFTA awards, Christopher Hampton also won the London Film Critics' Circle Award for Screenwriter of the Year, and the Writers Guild of America Award for Best Screenplay Based on Material from Another Medium.[3]
Dangerous Liaisons Novel Ending
Stephen Frears won the César Award for Best Foreign Film[3] and Best Director from the Boston Society of Film Critics. The film was second only to Mississippi Burning in the National Board of Review'sTop 10 films.
Philippe Rousselot was nominated for both the American Society of Cinematographers Award and the British Society of Cinematographers Award.[3]
Awarding body | Award | Nominee | Result |
---|---|---|---|
Academy Awards | Best Picture | Norma Heyman Hank Moonjean | Nominated |
Best Actress | Glenn Close | Nominated | |
Best Supporting Actress | Michelle Pfeiffer | Nominated | |
Best Adapted Screenplay | Christopher Hampton | Won | |
Best Original Score | George Fenton | Nominated | |
Best Costume Design | James Acheson | Won | |
Best Art Direction | Stuart Craig Gérard James | Won | |
American Society of Cinematographers | Outstanding Achievement in Cinematography | Philippe Rousselot | Nominated |
BAFTA Awards | Best Direction | Stephen Frears | Nominated |
Best Actress in a Leading Role | Glenn Close | Nominated | |
Best Actress in a Supporting Role | Michelle Pfeiffer | Won | |
Best Screenplay | Christopher Hampton | Won | |
Best Cinematography | Philippe Rousselot | Nominated | |
Best Original Film Score | George Fenton | Nominated | |
Best Costume Design | James Acheson | Nominated | |
Best Make Up Artist | Jean-Luc Russier | Nominated | |
Best Editing | Mick Audsley | Nominated | |
Best Production Design | Stuart Craig | Nominated | |
British Society of Cinematographers | Best Cinematography | Philippe Rousselot | Nominated |
César Awards | Best Foreign Film | Stephen Frears | Won |
London Critics Circle | Screenwriter of the Year | Christopher Hampton | Won |
Writers Guild of America | Best Screenplay Based on Material from Another Medium | Christopher Hampton | Won |
Related adaptations[edit]
Almost 25 years after he played Valmont, John Malkovich directed a French-language version of Hampton's play in Paris, which ran at the Théâtre de l'Atelier.[21][22] In December 2012, the production was brought to Lansburgh Theatre by the Shakespeare Theatre Company for a limited run in Washington, D.C.[23]
References[edit]
- ^'Stephen Frears'. theauteurs.com. Retrieved 2009-11-09.
- ^'The 61st Academy Awards (1989) Nominees and Winners'. oscars.org. Retrieved 2011-07-31.
- ^ abcdef'Dangerous Liaisons (1988) - Awards'. imdb.com. Retrieved 2009-11-08.
- ^'Olivier Winners 1986 – The Official London Theatre Guide'. officiallondontheatre.co.uk. Archived from the original on 2012-01-11. Retrieved 2009-11-08.
- ^'Dangerous Liaisons (1988) – Filming locations'. imdb.com. Retrieved 2009-11-08.
- ^ ab'Dangerous Liaisons (1988) – Trivia'. imdb.com. Retrieved 2009-11-08.
- ^BFI (2017-11-10). BFI Screen Talk: Annette Bening BFI London Film Festival 2017. YouTube.com. Retrieved 2018-05-27.
- ^'Being John Malkovich'. The Age. 26 April 2003. Retrieved 11 July 2015.
- ^'Right for the part'. The Daily Telegraph. 1 June 2003. Retrieved 11 July 2015.
- ^Akbar, Arifa (8 January 2011). 'John Malkovich: 'I don't need to be liked''. The Independent. Retrieved 12 May 2015.
- ^'Dangerous Liaisons (1988) – Soundtracks'. imdb.com. Retrieved 2009-11-08.
- ^'Dangerous Liaisons Movie Reviews, Pictures'. Rotten Tomatoes. Fandango Media. Archived from the original on 2008-10-06. Retrieved 2009-11-08.
- ^ abc'Dangerous Liaisons reviews'. Metacritic. CBS Interactive. Retrieved 2009-11-08.
- ^'DANGEROUS LIAISONS (1989) B+'. CinemaScore. Archived from the original on 2018-12-20. Retrieved 2019-07-07.
- ^ abcHinson, Hal (January 13, 1989). ''Dangerous Liaisons''. washingtonpost.com.
- ^ abcEbert, Roger (January 13, 1989). 'Dangerous Liaisons'. rogerebert.suntimes.com.
- ^ abVariety Staff (1988-01-01). 'Dangerous Liaisons Review'. variety.com. Retrieved 2009-11-08.
- ^ abcdCanby, Vincent (December 21, 1988). 'Passion in the Ancien Régime'. The New York Times.
- ^'Dangerous Liaisons'. Time Out London. Archived from the original on 8 April 2010. Retrieved 8 November 2009.
- ^Sheila Benson (21 December 1988). 'MOVIE REVIEWS : Dangerous Games for Power and Fame : 18th-Century Love Games Produce 'Dangerous Liaisons''. Los Angeles Times. Archived from the original on 7 July 2019. Retrieved 7 July 2019.
- ^'Les Liaisons Dangereuses' (in French). Théâtre de l'Atelier. Archived from the original on 2012-11-29. Retrieved 2012-11-12.
- ^Trueman, Matt (3 February 2012). 'John Malkovich directs Dangerous Liaisons on stage'. The Guardian. Retrieved 2012-11-12.
- ^Jones, Kenneth (November 6, 2012). 'John Malkovich's French-Language Staging of Les Liaisons Dangereuses Will Dawn in DC in December'. Playbill. Archived from the original on January 31, 2013. Retrieved 2012-11-12.
External links[edit]
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